Monday, October 29, 2012

Episode 8: The Switch

Episode 8: The Switch
Original Airdate: April 21, 1990
Written By: Michael Taav, Richard Tuggle
Directed By: Arnold Schwarzenegger 
Starring: William Hickey, Rick Rossovich, Kelly Preston, Ian Abercrombie, Roy Brocksmith

To what lengths would you go for love? Not money, power, greed, or glory, mind you, but love? For Carlton Webster (William Hickey), a wealthy geriatric living through his remaining years, he would do almost anything he had to do. Carlton is completely and totally in love with a young woman named Linda (Kelly Preston) and seems fully intent on bringing her youthful exuberance into his home with a marriage vow. Though his butler Fulton (Ian Abercrombie) warns that she may only be out for his money, Carlton has no intention of advertising just how wealthy he is, or how he will only marry her if it is true love.
When Carlton visits Linda with said proposal on the table, he deflects the value of his property and is instead scorned by Linda's all-too-obvious refrain: you look too old. In denial of his current predicament (and perhaps science and logic as well), Carlton intends to visit a plastic surgeon to remove as much of his age as is possible. But he become dissatisfied with the lack of immediate gratification he would get and pursues other options to completely rebuild his face for the youth Linda so desires. And he'll go to any lengths to capture that glory.

"Life is cheap, doctor. But youth, youth is very, very precious." -Carlton Webster

Carlton eventually finds himself a mad doctor (Roy Brocksmith) willing to perform a controversial operation wherein he will receive the face of a young man named Hans (Rick Rossovich) for a nominal fee of one million dollars. Recognizing that the overall sum could bankrupt him, Carlton is blinded by his lust and proceeds with the front to science, nature, and general decency. Thinking he has succeeded, Carlton visits Linda once more with his new features, but only stands to horrify her further thanks to his intermediate changes.
Carlton's return to the doctor's laboratory finds him even deeper in debt as he requests a new torso and an upgrade on his face. Surgery continues to be a flowing success as the doc and Hans milk the old man for all he's got whilst Carlton continues to upgrade his youth, so to speak. Now, his entire upper half is that of the ripped Hans he met earlier, and all it cost him was $3 million cash. Things with Linda begin to turn around when Carlton takes her out for weightlifting and a walk on the beach. Unfortunately, since he only covered the top half, Linda finds herself further repulsed when things get hot and heavy. 

"But your face, it's so different and bizarre, and your body is still old and decrepit." -Linda

Arnold Schwarzenegger became the first full-fledged celebrity to step behind the camera and direct an episode of Tales from the Crypt, and it feels as if he couldn't have been pegged for a better interpretation. "The Swtich" delves into a warped world where beauty equals power and money can be had from anyone willing to sell from their own devices. It isn't short on sympathetic characters or morality plays; quite the contrary, in fact.

You find yourself feeling for the lead's desperate and blinding love all around him. He'd do anything for his beloved, making William Hickey a more than appropriate fit for the role. The man reeks of sorrow and the inclusion of an almost disconnected Kelly Preston adds to the calamity. At the time of filming, Tales from the Crypt had taken off after an impressive first run to levels that made HBO quite a profit. Bringing in Schwarzenegger may have felt like a money gouge, but he did a more than serviceable job with an intriguing and almost ironic plot.

"Love conquers all." -Carlton Webster

The dark spiral continues from here on out. Carlton's continued pursuit of Linda leads him to spend more and more of his database away in an effort to make himself look and feel young. As cryptically predicted by the mad doctor just scenes earlier, the parts continue to come from Hans whilst Carlton transforms into a completely different person...on the outside. Is love as blind as Carlton Webster assumes it to be?

Linda has other ideas. His lower body becomes unsatisfactory. Then, his manhood itself is called into question. The pressure never seems to mount high enough for Carlton to think twice about his continued existence, leaving his butler Fulton to leave him after the pool he pulled his salary from runs towards a shallow demise. As the doctor continues to take from Carlton Webster, Carlton Webster continues to believe he's growing into the reflection of perfection for Linda.

"Love can also be blind, sir. I just pray you're not the only one it conquers." -Fulton

The final minutes of the episode play out like a typical cat and mouse affair. Carlton is persistent, cunning, and untamed in his quest towards the lovely Linda's heart. But with each passing hour and day, he's slipping further and further away from the reality of the situation. Carlton loses his grasp on all of reality and falls madly into a stuper that, by the time he's free to break out, he's made a grave set of decisions that there is no going back from.

When he proposes to Linda one final time, he must come to grips with the idea that her aspirations and desires have made a drastic change towards a man with financial stability and valor. That man appears to be the old Carlton, except he's introduced as Hans, and we're left to watch in horror as our fledgling romance goes down the tubes once and for all.

"You're nice, Carlton. But I needed a man of financial means who could make me comfortable for the rest of my life." -Linda


Parallels to the EC Source Material: 
"The Switch" was originally published in the EC Comics release Tales from the Crypt #45 (though it was a story from The Witch's Cauldron). And, not just to make this section shorter, but the whole story is identical to the original. The perfect companion!



Horror Alumni Roll Call: 
-William Hickey (Carlton Webster) portrayed various characters in four decades of film and television outside the Crypt. He appeared in both the Tales from the Darkside movie and television show as well as the film Puppet Master. Late in his career, he appeared in The Outer Limits, The Nightmare Before Christmas, and posthumously in Knocking on Death's Door. He is, however, best known for his role in Wings as another Carlton: Carlton Blanchard.

-Rick Rossovich (Hans) used his good looks to land roles in The Terminator and Spellbinder prior to his appearance in this episode. Later, he made appearances in horror/sci-fi mash-ups like Future Shock and the straight horror picture The Evil Inside Me.

-Kelly Preston (Linda) caught one of her first big breaks in the Stephen King adaptation of Christine. She had a cameo appearance in the cult classic From Dusk Till Dawn and would later appear in her husband's (John Travolta) work of Scientology science fiction, Battlefield Earth.

-Roy Brocksmith (Doctor) is making his second appearance on this list in as many seasons. He was known for appearing in both Arachanophobia and Total Recall. He also did episodes of Star Trek, Red Dwarf, and the children's anthology program, Eerie, Indiana before his death in 2001.

-Ian Abercrombie (Fulton) had hundreds of acting roles before his death, but horror fans remember him most for his part in Army of Darkness. He was also apart of Battlestar Galactica, Alfred Hitchcock Presents, Catacombs, Puppet Master III: Toulon's Revenge, Addams Family Values, Jack Frost 2: Revenge of the Mutant Killer Snowman, Star Trek: Voyager, Babylon 5, Beyond Belief: Fact or Fiction, The Lost World: Jurassic Park, and Star Wars: The Clone Wars television show, just to name a few projects.

-Renata Scott (Female Patient) was in one episode of Star Trek: The Next Generation and the film Stepfather II

-Mark Pellegrino (Punk) found a lot of minor horror work along the way, including an episode of The X-Files and the films The Lost World: Jurassic Park as well as The Number 23 and Fear Itself. He is probably best known, however, for playing Lucifer in the show Supernatural.

-Kendall McCarthy (Doorman) was also apart of the cast of Ice Cream Man with Clint Howard.

-Peter Kent (Muscle Beach Trainer) was good friends with Arnold Schwarzenegger, thus landing him roles in nearly every Arnold movie (which is too many to list). He was also in Ragewar, Re-Animator, Dead Heat, and various made for TV horror pictures.

-J. Patrick McNamara (Dr. Thorne) was notable for having made it big over a decade before Tales with his appearance in Close Encounters of the Third Kind. He was also in The Fury, Phantasm II, and an episode of the spinoff Freddy's Nightmares

-Arnold Schwarzenegger (Director) is a household name and doesn't need much of an introduction. To list his contributions to action and Sci-Fi would be a paltry catering to your needs, so just know that he made the apocalyptic thriller End of Days.

Number of puns delivered by the Cryptkeeper: Two (though Arnold jumps in with a few as well)

In Summation: What "The Switch" lacks, if anything, is true horror and terror. The story is about normal people driven to extreme and irreverent means to get what they want. And of course, in true Tales/EC style, they find a complete irony of their situation when things go awry. Love is as blind as Ray Charles. Anyone who tells you otherwise is selling something.

-Benjamin M. Benya

Monday, October 8, 2012

Episode 7: Dead Right


Episode 7: Dead Right
Original Airdate: April 21, 1990
Written By: Andy Wolk
Directed By: Howard Deutch
Starring: Demi Moore, Jeffrey Tambor, Natalia Nogulich

If horror movies, novels, and shows have taught us anything about how to live life and go through the motions, then you must know this golden rule: Never trust gypsies. Whether they be fortune-telling sorceresses or bottom-feeding street urchins, to put your faith in these deceiving minstrels is to eliminate all hope for a better future. They are foreboding warnings of a time in which life will take a turn, most likely ironic, towards complete hellfire.
In this instance, Madame Vorna (Natalia Nogulich) is our prophetic symbol of absolute misfortune, and Cathy Finch (Demi Moore) is our not-so-innocent patsy. Cathy pays a visit to Vorna in an effort to get a simple fortune telling, but discovers that Vorna is much more than a hoax. Vorna's initial vision sees Cathy getting fired from her current job and finding a new one in the same day. A farfetched and completely outlandish premise, Cathy leaves unfazed but is late returning to work from her lunch break, leaving her boss Mr. Clayton (Earl Boen) to fire her on the spot. Sure enough, as she exits, she immediately receives an offer from Al (Troy Evans) to wait tables in his nightclub.

"Every exit is an entrance someplace else." -Madame Vorna

Surprised and curious, Cathy returns to Madame Vorna to learn more of her upcoming fate, only to hear conflicting reports that she will soon marry a man and inherit a large sum of money. Cathy's gold-digging tendencies lead her to believe these prophecies, but she is also warned that he will die violently after receiving the aforementioned dough. With the promise that she will meet him tonight, a large man approaches with an offer of absolute devotion. Enter Charlie Marno (Jeffrey Tambor), a bus of a man with a not-so-subtle appetite for all things Cathy. 

"Are you playing hard to get?" -Charlie Marno

The success of the first season of Tales from the Crypt led the quintet of executive producers to jump headfirst into a profitable second season that would premiere in the late Spring for the Home Box Office (HBO) channel. While the first six episodes made a wonderful trail with captivating and bizarre stories that stuck to their comic book source material, the producers were looking to broaden the horizons just a bit at the onset of the second season. Established television actors had been cast for most of season one, but the star power would kick up a notch with "Dead Right" and several other entries soon after. 

Howard Deutch returned to direct his second episode with headliners Demi Moore and HBO mainstay Jeffrey Tambor. Moore is an all-too-realistic gold digger that doesn't see past her own greed more than five feet. Her destiny is sealed from the moment she takes Madame Vorna's apparitions as truths and disregards any minor (or major) details that could stand in her way. Tambor, meanwhile, is the definition of diminutive and devoted, crossing the line between sleaze and slumber as a bloated buffoon. Without Tambor playing an unlikely hero twitter-pated at the very sight of his future darling, you find yourself rooting for his wretched soul in marital discourse. 

"I ain't got much now, but I got good prospects and I, um, I'm crazy about you." -Charlie Marno

Cathy may find Charlie utterly disgusting, but she presses on several dates with him in hopes that the fortune teller was right. Cathy stretches the lengths of her better judgment and decency by staying with the elephant, even creating a sense of warmth by agreeing to marry him. Charlie, ecstatic and increasingly grotesque, continues to push Cathy for more as their relationship wears as paper thin as it can. Cathy has put herself through countless dinners, dates, and awkward conversations, yet the continued guarantee of Madame Vorna's prophecy leads her to believe it is all part of the plan. 

Her agreement is predicated on the knowledge that someone in Charlie's family is rich, believing that they will soon pass and leave Charlie a great fortune. Her realization that she may have to go through with even more dedication and romance, even the act of sexual intercourse, shows what great lengths Cathy's masquerade escalate towards. The days and weeks pass by as Cathy plays housewife to her husband's insatiable delights. She cooks, she cleans, and Charlie Marno lives up to the fat slob stereotype he's been saddled with all through life. Cathy's patience has disintegrated, and now she's turning to Madame Vorna for definitive answers.

"He's just a fat, penniless pig. That's all he'll ever be!" -Cathy

Her last visit to Madame Vorna reveals that she takes a particular glee in Cathy's disposition, but warns that the prophecy of his inheritance is still very much real. And then, out of the blue, the pieces start to fall into place. Cathy's visit to the Hudson Automat cafeteria reveals that she is their one-millionth customer, giving her a prize of a cool million dollars instantly. Feeling she no longer needs to live through this charade with her new riches, she confronts Charlie with the news of not only her winnings, but her true feelings on Charlie's depressingly awful lifestyle. 

Charlie begs and pleads to keep her, acting like a puppy left out in the rain. But Cathy remains staunch in her beliefs, and her riches, leaving Charlie with few options on the matter. As she departs, he unexpectedly pulls a knife and proclaims that if he can't have her, no one will. His repeated stabs at the heart of his wife leave Charlie to receive his last rites on death row while Madame Vorna watches the reports on television in absolute vindication. 

"Vorna is right. Vorna is always right." -Madame Vorna
Parallels to the EC Source Material: 
"Dead Right" was originally published in the EC release SHOCK SuspenStories #6 (which, itself, featured one of the most controversial covers of the EC era). The story is, nearly even word for word, identical in it's adaptation for television. All characters and scenes remain the same, right down to the bitter end. In fact, the only big difference (and we're really nitpicking here) would be the name of the cafeteria where Cathy wins her riches.


Horror Alumni Roll Call: 
-Demi Moore (Cathy Marno) qualifies as one of the bigger names to appear on an episode of Tales from the Crypt to this point. She got her big break in 1982, starring in the horror film Parasite before getting real recognition as a late member of the Brat Pack and in the classic Ghost.

-Jeffrey Tambor (Charlie Marno) is one of the more notable character actors of television and film, appearing in hundreds of different productions since the 70's. He had a role in the spoof film Saturday the 14th, as well as the 80's version of The Twilight Zone. But his horror luster would take a backseat to his two biggest television contributions, HBO's The Larry Sanders Show and Arrested Development.

-Natalia Nogulich (Madame Vorna) continued the trend of television stars on Tales with various appearances in both Star Trek: The Next Generation and Star Trek: Deep Space Nine. She even did individual episodes of Charmed and Sabrina the Teenage Witch, but broke free of her typecasting in the made-for-TV film Locusts.

-Troy Evans (Al) found a way to play a law enforcement officer in nearly every horror and sci-fi movie he'd been in, including Deadly Dreams, Halloween 5: The Revenge of Michael Myers, The Lawnmower Man, Demolition Man, The Frighteners, and the Stephen King miniseries The Stand. He even has a credit in a second episode of Tales, though not as a cop.

-Kate Hodge (Sally) may only make a brief appearance in this episode, but her horror lineage lives on with Leatherface: Texas Chainsaw Massacre III, The Hidden II, and the series She-Wolf of London.

-Earl Boen (Mr. Clayton) has a dizzying screen credit list that includes such sleepers as The Terminator, Terminator 2: Judgment Day, and Star Trek: The Next Generation. But as horror comes and goes, Boen found himself cast in the Troma film Chopper Chicks in Zombietown in 1989, The Dentist in 1996, and Terminator 3: Rise of the Machines in 2003.

-Andy Wolk (Writer) would do more directing than writing for the genre, returning in 1991 to direct a season three episode of Tales as well as dozens of other TV shows throughout the last two decades.

-Howard Deutch (Director) made this his second Tales episode behind "Only Sin Deep." He was also at the helm of an episode of the SyFy Network's Warehouse 13.

Number of puns delivered by the Cryptkeeper: 2 (He mostly just jokes about himself, not that this is any better).

In Summation: What have we really learned here? If you're watching "Dead Right" for the very first time, you'll see a classic example of Tales from the Crypt ripped straight and perfectly from the pages of the EC counterpart. But what we're really focusing on here is the constant struggle curious and often times greedy folks must deal with when their contemplative prophecies become full-grown realities. Believing in your dreams is one facet of adolescence that becomes harder and harder to shed as you grow up and evolve through time. Breaking free of these trends is, in essence, the easiest way to avoid civil disappointment and see new opportunities behind every door. Maybe that's what Madame Vorna was really warning Cathy of when she mentioned that every exit is simply an entrance elsewhere. Too bad Cathy couldn't escape the malignant tumor she implanted in her head that everything would tilt in her favor if she simply saw this fortune as profit instead of doom. And perhaps that's why, by the conclusion of this grim, deceitful tale, we're left wondering just what the future holds for each of us as well. 

-Benjamin M. Benya

Saturday, October 6, 2012

Episode 6: Collection Completed


Episode 6: Collection Completed
Original Airdate: June 28, 1989
Written By: A. Whitney Brown, Battle Davis, Randolph Davis
Directed By: Mary Lambert
Starring: M. Emmet Walsh, Audra Lindley, Martin Garner

Wake up, go to work, come home, kiss the wife, go to bed. Everyday for as long as he can remember, Jonas has had the same routine in life. Day after day, month after month, year after year. 47 years going strong, in fact. But Jonas (M. Emmet Walsh) is about to hang up his boots in and go on life's next great adventure: retirement. Forced into an early settlement where his mind is free to roam instead of focus, Jonas simply doesn't feel fit enough for the departure of the hustle and bustle, and he's certainly not looking forward to every waking moment with his wife, Anita.

Anita (Audra Lindley) isn't some kind of consolation present, either. She's caring, loyal, and loving to Jonas, as well as her dozens and dozens of stray pets she welcomes into their home. In fact, the pets that give Anita the most joy have created the most agony in Jonas' mind. Every time he tries to relax or find solace in a nice place, one or more of those animals finds a way to interrupt the proceedings. Jonas may not be friendly, or kind, or even respectful of Anita's pet adoption (he snubs her "surprise party" with her several cats and dogs), but he is staunchly behind starting anew within the confines of his own home. 

"You can get rid of him now, because as of tomorrow, you won't be lonely anymore. You won't be needing any animals. I'm gonna be home all day. Right here in the god damn house I worked for all my god damn life." -Jonas

Jonas' grumpy, unkempt demeanor towards the various pets only gets worse during the infancy of his own golden years. Despite his best efforts to adopt a new way of living, Jonas becomes increasingly irritable with Anita's lifestyle, and the easy life in general. With a subtle sort of position, Anita suggests many of Jonas' mannerisms resemble that of her various pets. Advertisements of such instinctual expressions only stand to further depress Jonas, who pushes himself further and further away from his love with each passing hour. 

The examples, unfortunately, don't stop popping up as Jonas goes further into the dark. Anita fries a fantastic steak breakfast...for one of her dogs, while Jonas chokes down drivel with a sanctimonious spoon. Even his neighbor Roy (Martin Garner) pushes his buttons, suggesting daftly that Jonas take up a hobby in an effort to cure his terminal case of boredom...and possible manic depression. With the addition of model planes, Jonas would seem to have something to keep himself busy, except he reneges any efforts from all around him. Jonas simply stifles all creativity with an unwillingness to change, or to accommodate Anita's pet hoarding. 

"They keep me company. They're all I've got." -Anita

"Collection Completed" is as unorthodox as can be, and that's just the way fans of Tales from the Crypt like it. The story of a lifelong husband and wife attempting and failing to find compromise in their otherwise dismal affairs isn't new ground. But incorporating the additional plot line of animal adoption, poor judgment, and extreme, tedious boredom helps to make fools of us all. 

Lifelong horror director Mary Lambert jumped on-board this slow moving vehicle in an effort to keep the peace between to obviously inept characters. Jonas exemplifies all the poor qualities of a crotchety old man with a chip on his shoulder, where as Anita is just the kind of "crazy cat lady" middle-aged women continue to worry about being. Putting the two together is a natural fit for excruciating madness and unfortunate, somewhat timely demise for the characters around them. Too bad most of those characters are considered household strays and disregarded just as quickly. 

"I'm sorry. He reminded me of you." -Anita

The issues continue to pile up for Jonas and Anita as the days pass by. Anita likens Jonas' whooping cough to a hair ball, feeds him cat food tuna by mistake, and attempts to give him his aspirin by disguising it as food. Though Anita is completely harmless and innocent in her actions, her failure to recognize Jonas' increasing wrath and aggression becomes her own downfall. She even goes as far as to name her favorite bulldog Jonas, which exacerbates the situation to a boiling point. 

Unable to find any redeeming qualities to his retirement wasteland (including pruning after Jonas dismantles the entirety of his shrubs), Jonas reconciles that his uncomfortable conformity is due to Anita pressuring him to feel like one of the pets rather than a human being. Though he attempts to approach her with this concern, he discovers her speaking to a cat in the same manner as you would a human, finally pushing him over the edge. If he can't handle retirement without a hobby and he can't handle Anita, Jonas has to find a way to kill two birds with one stone. And the saying couldn't be much more accurate that it is about to be.

"When you start letting life pass you by, that's the day you start to die." -Jonas

Quietly and yet altogether happily, Jonas begins tinkering in the basement with what he claims is his new "hobby." Days and weeks go by while Jonas spends his days down beneath the surface, and while Anita is completely unaware as to what his new mission is, she's pleased to hear that Jonas is making such progress in life. It could have been a happy conclusion to an otherwise difficult story, but Anita's curiosity soon gets the better of her as her pets disappear one by one. 

When Anita goes looking for the same bulldog she named after her husband, Jonas reveals that he's taken up taxidermy and made her collection his first several test subjects. Jonas' psychotic claims that his adjustment to the life he'll spend with Anita includes this sort of masochistic justification makes Anita utterly sick. She scrambles frantically for the last few pets she knows have survived, only to discover the remaining victims in the basement. If a homicidal Jonas was enough to drive one mad, then Anita's revenge was equally as disturbing. She recovers her one remaining stray and, without remorse and reason, gives Jonas the same treatment he's been asking for since he took up taxidermy. 

"Oh, he's really slowed down and learned how to enjoy life." -Anita



Parallels to the EC Source Material:
"Collection Completed" was originally published in the EC release The Vault of Horror #25 (though it was the 14th issue overall, and originally a tale from The Witch's Cauldron). In this version, Anita and Jonas had only been married for 16 years, and were nowhere near retirement. Anita describes her collecting of animals as her hobby, which Jonas rebukes as the days go by. 

He takes up taxidermy and admits it to Anita from the get-go, which, while offensive, is a practice she allows until he turns her favorite cat into a stuffed ornament. And thus, the prophecy is fulfilled in the final few panels of the comic, shown below. 



Horror Alumni Roll Call: 
 -M. Emmet Walsh (Jonas) made his first science fiction/horror appearance in 1971's Escape from the Planet of the Apes. He would also appear in an 80's episode of The Twilight Zone, The Hitchhiker, and the film Blade Runner. He even did episodes of The Outer Limits, The X-Files, and most recently, Night Visions. 

-Audra Lindley (Anita) was primarily a television actress, having appeared rarely in any horror production. Just months before her death she was in 1997's Relic, as well as the Jean-Claude Van Damme cult classic from 1995, Sudden Death.

-Martin Garner (Roy) appeared in the television show Alien Nation as well as various other programs as recurring characters. From the horror genre, he had a bit part in black-balled picture The Twilight Zone: The Movie.

-Mary Lambert (Director) made a career out of directing various horror pictures over the past 30 years. Notably, Lambert was at the helm for Pet Semetary and Pet Semetary II, as well as various episodes of the television program The Dark Path Chronicles. She was also behind more recent b-movie films The Attic and the incredibly tacky and low-budgeted Mega Python vs. Gatoroid.

Number of puns delivered by the Cryptkeeper: 3 (including an awful dead dog joke)

In Summation: It would be easy to simply slow down and talk about the emotional discord and disconnect a couple experiences over 40 years of separation created by the Rat Race. But that would also be boring and wouldn't make for a very good episode of Tales from the Crypt. Sometimes, we need a fulfillment of our deepest, darkest desires to overcome such a standstill. Life doesn't have to pass you by if you just start acting out your desires to take as much life as is possible. Jonas may not have killed a single person during his tyrannic post-retirement run, but that doesn't mean he wasn't worthy of the same "eye for an eye" death penalty that his loving wife bestowed. Anita felt she was truly blessed to have a man to take care of, especially one who didn't move, talk, or breathe. He could be simpler than her animals and required less tender loving care. A crazed, trophy husband can in fact be achieved with the right balance of painstaking heartache and insane triumph.

-Benjamin M. Benya